No. 034 (2020): Reinventions and new poetics of cinema in the post-internet era

DOI: https://doi.org/10.26439/contratexto2020.n034

Published: 2020-11-27

Full Issue

• PDF (Spanish)

Presentation

• Reinvenciones y nuevas poéticas del cine en la era post-internet : salir del scroll. Por una mirada offline sobre la imagen digital

  Gala Hernández López, Alejandro Pena Morado

  9-18

  • PDF (Spanish)

Dossier

• Spectacle, camera, authorship and surveillance in ‘found footage’

  Sergio José Aguilar Alcalá

  21-49

  • PDF (Spanish)
  • HTML (Spanish)

• Appropriation cinema at the dawn of the digital age: reflections from Harun Farocki’s work

  Camila Flores Fernández

  51-65

  • PDF (Spanish)
  • HTML (Spanish)

• Óscar Pérez (1981-2018): chronicle of a death foretold

  Allan Deneuville

  67-80

  • PDF
  • HTML (Spanish)

• Poor images and the ostentation of the pixel: Relations between cinema and the internet in Videophilia (and other viral syndromes)

  Regiane Akemi Ishii

  81-104

  • PDF (Portuguese)
  • HTML (Spanish)

• Rewriting the horror genre through new digital realities in Cam by Daniel Goldhaber

  Rodrigo Bedoya Forno

  105-127

  • PDF (Spanish)
  • HTML (Spanish)

• Hegemonic signs in the film Ex-Machina: robotization and control

  Arturo Morales Campos

  129-152

  • PDF (Spanish)
  • HTML (Spanish)

• Spectropolitic: image and hauntology in the contemporary visual culture

  Núria Gómez Gabriel

  153-176

  • PDF (Spanish)
  • HTML (Spanish)

• Online film archives: notes on the Chilean university catalogue

  Ignacio Albornoz Fariña

  177-204

  • PDF (Spanish)
  • HTML (Spanish)

Trends

• Professional indentities, agencies and business models: notes on the history of advertising in Brazil

  Bruna Aucar, Everardo Rocha

  207-224

  • PDF (Spanish)
  • HTML (Spanish)

• Two countries, many childhoods: meetings to create with the films Carreto and Una niña, una escuela

  Fernanda Omelczuk, Maricela Perera Pérez

  225-241

  • PDF (Portuguese)
  • HTML (Spanish)

• The strategies of belief in Quentin Tarantino’s The Hateful Eight

  Alejandro Núñez Alberca

  243-264

  • PDF (Spanish)
  • HTML (Spanish)