El Cordobazo dibujado: “Invasión” política y experimentación gráfica
DOI:
https://doi.org/10.26439/contratexto2010.n018.198Abstract
El objetivo de este artículo es re-colocar un objeto que en la actualidad acusa rasgos paradigmáticos. La hipótesis es que si bien las historietas se organizan en lo que podría denominarse “la cultura de masas occidental”, al mismo tiempo, son permeables a desvíos que permiten problematizar esoslímites. A partir de un caso se dará cuenta de la porosidad entre la política y la vanguardia, entre la cultura de masas y el arte. Se trata de abrir incomodidades y preguntarse por los intersticios. ¿Entre el arte y el activismo, la experimentación y la militancia, hay deslindes?
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