Time in Trilce: intersections and coordinates
DOI:
https://doi.org/10.26439/en.lineas.generales2022.n007.5925Keywords:
avant-garde, regional movements, cultural hegemony, modernityAbstract
The main objective of this essay is to explore the emergence of the collection of poems Trilce (1922) as a consequence of a series of elective affinities and changes in the cultural system typical of the time in which its author lived and which allowed him to dialogue originally and creatively with the spirit of his time. Attention is paid, in particular, to the strong influence of regional movements such as the “Norte” group, the formative context of César Vallejo that was in tune with what was happening in places such as the Andean South, far from Lima. In that city, it was paradoxically writers of provincial origin who promoted a Peruvian avant-garde born outside the hegemony and centralism of the country’s capital.
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References
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