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No. 019 (2018)
No. 019 (2018)
DOI:
https://doi.org/10.26439/vent.indiscreta2018.n019
Published:
2018-08-10
Presentación
Presentación
José-Carlos Cabrejo-Cobián
3-3
PDF (Spanish)
Artículos
Social networks, new screens and cinema: a brief introduction
Alberto Castro
4-9
PDF (Spanish)
When the cinema posts on social networks
Sandra Ferrándiz Espadín
10-17
PDF (Spanish)
Possibilities of the audiovisual in social networks
Sebastián Zavala
18-23
PDF (Spanish)
Social networks will make us happy: film marketing at the time of facebook
Eduardo Villanueva-Mansilla
24-29
PDF (Spanish)
Video-essays: the boom of the cinephile prosumer
Alejandro Núñez-Alberca
30-37
PDF (Spanish)
Interaction, reality and control: technology and its scope in Her, Black Mirror and Blade Runner
Juan-Carlos Lemus-Polonía
38-43 / 73-78
PDF (Spanish)
The terror of social networks
Mario Salazar
44-49
PDF (Spanish)
iCinema: immersion and interaction on the screen
Giancarlo Cappello-Flores
50-55
PDF (Spanish)
Own vice: conspiracies, psychedelia and detectives in sayonaras
Mónica Delgado
56-62
PDF (Spanish)
The Oscar travels to Italy
Daniela Lerici
63-67
PDF (Spanish)
The international Venice film art show: a controversial story
Mariarosaria Fabris
68-71
PDF (Spanish)
Language
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